繁体
本章已阅读完毕(请
击下一章继续阅读!)
oftenusehielfandindicateshisaitioninlife,andfetsallabout
ed.
literarylanguagehadetoybeseeninthefollorwuliufive
provideit.hisfriendsaiveskisaskhio
suustforevergropeang
,e,too,areunkle.heisquietandtalks
thisleadstoareiortantionoftheiialofese
apoa14080b.c.,thegreateststerof
onehouchaog,
drunk.afterhegetsdruires,andself.his
literaryartnsistedinnpersonalfront.
offlaxclothintatters,andhisricebopty.buthedoesnotcare.he
iss,ohefeelingofbeinglostiof
upposeonepelledtoreadonlyproseofthistype,
verylittle.hedoesnotoneyorfa.helikestoreadbooks,hout
languagestillretainedavirilityuntchedbyanylatererintheal
happyastetabouthisfood.heloves,beingpoor,otalways
language.theanded
orlessashethought,andtin&prieuxstyleofing.butafterthat
definition.itisanabsoluteproofthatthelanguagewasdead,
essays,
ellectual
biographyofssliilythreehundredayfivetenina
exactlyonehundredandtodel:
thetruefactis,theliterarylanguageirelyunsuitabletodiscussoarrate
librariesndbookstoresaboundthesealingthelargestlivisioninese
givinganiraitofhisloverlihsiang,andthenfindsthathoudidhis
eseprose,stillkeptahhthelanguageofhisday,anddaredto
self,in
proseedhinese
thehat.
sketchesofthreeorfourhundredhebarestbeggarsoutlineoffacts.
...
iiest,andthenarrationthebarest梬hato
aboveall,goodprosestbefaliar,chattyandalittlepersonal,andtheese
tryingtoknoeaning.esapassage,heisso
goodprosebepossible.thetersenessandrefihe
language.illore
eoverforadrink.healakesuphisndtobe
inrporateerscholarsas”vulgar,”andhis
liatisdaintyprose,butnotgoodprose,agtoour
froacket
facts,hereasonersofnovelshadtoresorttotheveacular
nnerasifheother.oo
fheretheterizationisthevaguest,thefactsarethe