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第76节(2/2)

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oftenusehielfandindicateshisaitioninlife,andfetsallabout

ed.

literarylanguagehadetoybeseeninthefollorwuliufive

provideit.hisfriendsaiveskisaskhio

suustforevergropeang

,e,too,areunkle.heisquietandtalks

thisleadstoareiortantionoftheiialofese

apoa14080b.c.,thegreateststerof

onehouchaog,

drunk.afterhegetsdruires,andself.his

literaryartnsistedinnpersonalfront.

offlaxclothintatters,andhisricebopty.buthedoesnotcare.he

iss,ohefeelingofbeinglostiof

upposeonepelledtoreadonlyproseofthistype,

verylittle.hedoesnotoneyorfa.helikestoreadbooks,hout

languagestillretainedavirilityuntchedbyanylatererintheal

happyastetabouthisfood.heloves,beingpoor,otalways

language.theanded

orlessashethought,andtin&prieuxstyleofing.butafterthat

definition.itisanabsoluteproofthatthelanguagewasdead,

essays,

ellectual

biographyofssliilythreehundredayfivetenina

exactlyonehundredandtodel:

thetruefactis,theliterarylanguageirelyunsuitabletodiscussoarrate

librariesndbookstoresaboundthesealingthelargestlivisioninese

givinganiraitofhisloverlihsiang,andthenfindsthathoudidhis

eseprose,stillkeptahhthelanguageofhisday,anddaredto

self,in

proseedhinese

thehat.

sketchesofthreeorfourhundredhebarestbeggarsoutlineoffacts.

...

iiest,andthenarrationthebarest梬hato

aboveall,goodprosestbefaliar,chattyandalittlepersonal,andtheese

tryingtoknoeaning.esapassage,heisso

goodprosebepossible.thetersenessandrefihe

language.illore

eoverforadrink.healakesuphisndtobe

inrporateerscholarsas”vulgar,”andhis

liatisdaintyprose,butnotgoodprose,agtoour

froacket

facts,hereasonersofnovelshadtoresorttotheveacular

nnerasifheother.oo

fheretheterizationisthevaguest,thefactsarethe

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