daredtoinrporateerurseandevenslangwordsinhisprose,

”inelegance,””unorthodoxy,”inallhistoriesofliterature.onlyaslateas1934was

ghoushujen”lusin”,itishatghoutsojenlyinfluencedby

individualisticstyle,believingthatliteraturetheexpressionofones

buttheuseofnpladslahodox

spaceofthreeorfouryears.

onlyaslateastheendofthesixteeurydidthereriseanhat

asitisiableier.theintroduofsisonlynatural,for

readyfirst.hespletesuessinthe

urtcritidthisauthorreceivednothingexceptepithetslike”frivolity,”

givenupallaitiontoliteraryfaahepehkuato

yuanalsoneverhadtheurage,ortheinsight,toadvocatetheuseofpekhua,orthe

ketheiovelsintelligibletothepublicthatlaidthetruefoundationofliteraturein

literaryfashioions.

advoalandstylistiventions.itwas

andforatiheobtainedgreatliteraryvogue,haschooloffollowersknownas

”depeopleshouldodelanguage,”shhoutasound

ghoudynasty.thisitate

givingusarereadableprose.butitotheearlyliteratureofthe

greatperioditselfforitationthesungpeopleitatedthetangs,andthe

...

historitive.thisogetherhhisthers.yuan

thisfouhepersonalstyleofpartialortotaloblivion.

nd

personal,faliarstyleofing,represehechoubrhoutsojenand

theschoolofyuanghunglang.thesendgehesocalled

ngandgitatedthetangsandsungs.

tportantgesfolloheliteraryrevolution.first,thecultivationofthe

hehad,asherepeatedlyinsisted,thegroundfor

veaculartongue,ining.ithertheersofpopulaovelswhohad

thelivingtongue.nsequently,ediu

theas,anditeasy.afterhanyii,literaryfashionsfluctuatedbetween

personality,hsingling,berepressed.

nearlyathousandyearsbytheses,andpeopleediuad

oldteraxenotadequatetorepresentdec

heyour”yourpen.itedapersonal,

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itatingtheghouperiodandthehanperiod,andself

”europeanizationofese”insyntaxaser

bee,atdifferenttis,a

thekunganseofyiiansdistrict.itoo,who