indefinablefeelingbehind,hereaderssedoesnotsatisfyhis

seriesofiressions,vividandunfettable,andleavesrelyaflavour,an

toev

本章尚未读完,请击下一页继续阅读---->>>

lkyhenpaintiogetheronafiatsurface.thusliuyuhsi772842

ingproper.butthisaffinityisresponsibleforanotherpointin

foranautuse:severaldotsofhillsoverthewall.

firstthehillsinthepainting,

thenthepaintinginthehills.

inanycase,thepaierfinishinghispaintingusuallyesaverseatthetopin

thepictureteiquehereisperfect:thehilltopsappearingasseveral”dots”overthe

forrexalefroipo,theartliesintheseleofainthefround

e:

ilarityofteilarityofthes,

thosevaorelateronwhen

uandiheartofsublition,suggestion

andartisticrestraint.thepoetdoesnottrytosayallhehastosay.hisbusinessisbut

works:

tosetitoffagainsttheobjethedistanlouds,ades,hilltopsandthe

aseriesofetreesinthe

fround,thereadergainsaclearperspectiveotherpossible.ashthe

thepoetseyeisthepainterseye,andpaintingarybeeone.

onlybefoundountainges,f,afterthepreviousnightsrainfall,

thisaffinitybetorenaturalandapparentwhen

pressionisticteique.itisateiquehgivesa

ofurse,itrequiresalittleefforttoigine”springsoops”he

andabovethetreesahundredsprings.

exactheinal;butexaausesutiveissorareand

andthefasoverse.

uandliliatic

thehills.inthissense,an