or,inoneofhisbestknos,drink

onluded

aotions,notbydirectpersonificationbutbying

anddeadboredaretheflosideitsdoors.

taphors,like”idleflohesadhechafingsparroc.the

iedpalace,

aainonfolloeho

ierialflo.soberidsarechatting.

eofthegreatilies:

hereetyistheuntrypalace,etylikeadreainlonelinessandquietthered

noheredsparroing,

nonpeopleshos梬ithouttheirknowing.

regret.

e.

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not,astheyoughtto,reerhoudsharethepoetsfeelingofpoignant

fullblossotandingidlyinfront,apparentlyingitsfragrantgloryoed

ihedecayoftheblae

hisnotebook:

andontheblackgoheevningsunisglowing,

hillside,hjustasiage,halldoorsclosedandasolitarypeachtreein

thefarrupletothefieldshavegone,

thelastandstiortantpointistheiofnaturalobje

isachieved,then,isapoeticfeelingforthepeachtree,supposedtobecapable

houtoingintothedetailsoftheirdisurse:

attitude,isextrelyninallgoodesepoetry.so,forinstance,didlipo

ofbeing”bored”todeath,.thesateique,orrather

beginoneofhisbestpoe:

andtheshewangandhsiehhalls,

lateattipassedtheverdanthills,

threelelonggayandgreenoas”heartless”becausetheydid

sharehisople,he

taphorsintheelvesarenothing:thepoetrynsistsispreadinghis

etiohesotiontoliveand

valley.istillreerthelasttyfriechedin