onluded

iedpalace,

taphors,like”idleflohesadhechafingsparroc.the

e.

threelelonggayandgreenoas”heartless”becausetheydid

hereetyistheuntrypalace,etylikeadreainlonelinessandquietthered

ofbeing”bored”todeath,.thesateique,orrather

isachieved,then,isapoeticfeelingforthepeachtree,supposedtobecapable

ihedecayoftheblae

nonpeopleshos梬ithouttheirknowing.

aotions,notbydirectpersonificationbutbying

etiohesotiontoliveand

aainonfolloeho

attitude,isextrelyninallgoodesepoetry.so,forinstance,didlipo

andontheblackgoheevningsunisglowing,

beginoneofhisbestpoe:

houtoingintothedetailsoftheirdisurse:

or,inoneofhisbestknos,drink

sharehisople,he

taphorsintheelvesarenothing:thepoetrynsistsispreadinghis

lateattipassedtheverdanthills,

valley.istillreerthelasttyfriechedin

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andtheshewangandhsiehhalls,

fullblossotandingidlyinfront,apparentlyingitsfragrantgloryoed

not,astheyoughtto,reerhoudsharethepoetsfeelingofpoignant

ierialflo.soberidsarechatting.

thefarrupletothefieldshavegone,

noheredsparroing,

eofthegreatilies:

hisnotebook:

regret.

hillside,hjustasiage,halldoorsclosedandasolitarypeachtreein

anddeadboredaretheflosideitsdoors.

thelastandstiortantpointistheiofnaturalobje