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broaderaabletotheveacularlanguageihe

ofpassagesintheberasterpieceofthefirstorderinese

likesbeforeazephyrgiddy.

alreadyprovidedforatreularlengths,obeyihfthespoken

literature,hebeautyofinging,theheroine:

throughitsiensepopularitythetheatrehasachievedaplathenational

eselifeverynearlyr

likeacherryripebroken,

likeastatueolten;

ininusic.

nooveshersteps,ing,pretty,

hersoftlikeasoutheditty,

atitotheexigeheoperaticairs,but

inant,

sidelining,

beforeshespoke,shehadreddened,

astringofnotessandgolden.

tharaightuseofthreesthroughouttheliheideaish

usedinsokindularbinationinenglishpoetry.thishasbeendoneh

folloanner:

shedhavespoken

sogracefullyslender,

experintbysoqualifiedenglishpoets.

oveditribed:

liberationoftreachievedinthesungtguinatinginsongsaheseairs,

brooonreing,

thereisnoreasoaltresofthreesshouldnotbe

uedsideyhe

itisiingtonoteherethatrhythsuoodinesedraticpoetryand

ratherthareoreencipatedinthedras.

thelineswas

intoherblackvelvettelesresigning.

herjadehairpindeing,

gng.

asanapproxiteexaleofthisirregulartre,igivehereanenglishrendering

sohelplesslytender,