charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

inanythioftheeseartistid.

andforandithasdoneso

aesthetiisticipleaybe

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

hasbeenexplored.theientpossible,andtheeseters,heoretically

byderivingitsartistinature,espeals梩

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

therefore,theairedevotiontopurefors

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field,everyvarietyofrhythasbeeeduponaypeofstructure

cultivationandappreciationofpureposition,

such,asapartfrotent.apaintinghastonveya,butaten

...

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

fpaintii

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

hebranflohafehespringing

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

certaintypes,suchastheyularityorofaforevertoppling

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

position,standsiiontopaintingaspuretheticsstandsiionto

realisethatthesee.”

sotiseveyinslouessularity.thustheartofcalligraphy

itseetothatand

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

strusustsolveforhielf.thus,through

providesasofaesthetiiationayhe

basesofesenotionsofbeauty.

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

fotten,andthelinesandforareappreselves.inthis

stfruitfulofresultsoodandapplied.asstated,ese

asthisarthasahistoryofhousandyears,andaseveryertriedto

sihofthehorse,

distinguishhielfbyaructure,therefore,incalligraphy,if

fundantalstrokesofing.ifthereisohis,hewill

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught