fpaintii

byderivingitsartistinature,espeals梩

field,everyvarietyofrhythasbeeeduponaypeofstructure

strusustsolveforhielf.thus,through

aesthetiisticipleaybe

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

basesofesenotionsofbeauty.

inanythioftheeseartistid.

sihofthehorse,

providesasofaesthetiiationayhe

hebranflohafehespringing

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

itseetothatand

cultivationandappreciationofpureposition,

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

sotiseveyinslouessularity.thustheartofcalligraphy

hasbeenexplored.theientpossible,andtheeseters,heoretically

fundantalstrokesofing.ifthereisohis,hewill

fotten,andthelinesandforareappreselves.inthis

asthisarthasahistoryofhousandyears,andaseveryertriedto

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

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theresobehtypesarenoteasilyseeninotherfieldsofeseart.

therefore,theairedevotiontopurefors

position,standsiiontopaintingaspuretheticsstandsiionto

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

realisethatthesee.”

such,asapartfrotent.apaintinghastonveya,butaten

andforandithasdoneso

certaintypes,suchastheyularityorofaforevertoppling

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

stfruitfulofresultsoodandapplied.asstated,ese

distinguishhielfbyaructure,therefore,incalligraphy,if

...

isofsignificetotheisthefactthat,notonlyhasitprovidedthe