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第97节(2/3)

naofanart.

sandstructuresofesearture,weshallbe

poetry,painting,arture,porcelainandhousederations,aialunityof

thefullsignifialligraphyasthebasisofeseaestheticswillbe

odeepainting,and

abletoessquare,inlinesandfortrulyhyofthe

enoofterial,rkedbythenyblankspaces,anideaofposition

esepainting,thefloure,isdistinguishedbyaspiritandan

nner.sohohepicturebeforeushasundergoneaninnerprocessof

nn.itoachievea

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

epoetry.thatdifference

thepointsofntrastarationeasiertotradhatthe

artisthasinterferedaterialrealityaedittousonlyasitappearsto

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

givingusonlyapletelysatisfying

seeninastudyofesepaintingandarture.inthelinesandpositionof

ishardtograspandexpress.ithasaosphere,visibleine

transfortioniistsnd,shoofitsirrelevasdisharnies,and

spirit.

abletheprinesecalligraphy.thesebasic

boldnessandfreedofthebrushpresstheonlookerinanunfettable

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

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painting,butessentiallydifferentandachievedbydifferentans.itshoain

hewillbe

atsphereallitso

iii.painting

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

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