abletheprinesecalligraphy.thesebasic

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

enoofterial,rkedbythenyblankspaces,anideaofposition

poetry,painting,arture,porcelainandhousederations,aialunityof

givingusonlyapletelysatisfying

atsphereallitso

sandstructuresofesearture,weshallbe

spirit.

thepointsofntrastarationeasiertotradhatthe

iii.painting

ishardtograspandexpress.ithasaosphere,visibleine

abletoessquare,inlinesandfortrulyhyofthe

naofanart.

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seeninastudyofesepaintingandarture.inthelinesandpositionof

nn.itoachievea

epoetry.thatdifference

artisthasinterferedaterialrealityaedittousonlyasitappearsto

thefullsignifialligraphyasthebasisofeseaestheticswillbe

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

painting,butessentiallydifferentandachievedbydifferentans.itshoain

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

boldnessandfreedofthebrushpresstheonlookerinanunfettable

odeepainting,and

hewillbe

transfortioniistsnd,shoofitsirrelevasdisharnies,and

esepainting,thefloure,isdistinguishedbyaspiritandan

nner.sohohepicturebeforeushasundergoneaninnerprocessof