deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

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esepainting,thefloure,isdistinguishedbyaspiritandan

odeepainting,and

naofanart.

spirit.

atsphereallitso

abletoessquare,inlinesandfortrulyhyofthe

thepointsofntrastarationeasiertotradhatthe

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

seeninastudyofesepaintingandarture.inthelinesandpositionof

thefullsignifialligraphyasthebasisofeseaestheticswillbe

iii.painting

painting,butessentiallydifferentandachievedbydifferentans.itshoain

artisthasinterferedaterialrealityaedittousonlyasitappearsto

enoofterial,rkedbythenyblankspaces,anideaofposition

nner.sohohepicturebeforeushasundergoneaninnerprocessof

abletheprinesecalligraphy.thesebasic

givingusonlyapletelysatisfying

hewillbe

epoetry.thatdifference

sandstructuresofesearture,weshallbe

poetry,painting,arture,porcelainandhousederations,aialunityof

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

ishardtograspandexpress.ithasaosphere,visibleine

transfortioniistsnd,shoofitsirrelevasdisharnies,and

boldnessandfreedofthebrushpresstheonlookerinanunfettable

nn.itoachievea