along,paintingillis,thesreation.

saidthat”,theyshouldapplythelaherunningscript,the

sendary.therearetodaypaintersakesketcheshtheirbarefingers,and

ngelsewas

principle,forproperspagistheveryfirstlaatedbypao

treesthehesealter.forthisisasecretleftusbyghao

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

notinteopyreality,butrelytopleaseself”

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forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

...

restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

andnizesfurtherinthesileunityofdesignofesepaintingsth

hunspirittogetathedru

sicstrokes.iinglihepine

fugitivespiriti.doicarehertheyareexactoot,herthe

saidaboutpaintihateverylineshouldtallalong,andhihsaid

reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

shenpo.ifthespaybesaed,as

landscapesofthesouthesertaininfluenalligraphy.first,ohe

aybeusedto

oflightheartedandinguisheslipospoetry.thisyi

treeohesaprincipleoftingusedineseings.tungchig

ngfuhielf.further,theartistiportantcalligraphic

thisdesireisuandableuholarsspiritwas

typeofsalledfeipo,any

said:”anticbrush,

ntouroftheterisurical,butispagisanunfivable

dehesati”rontid”thespiritoftherecluse.”itisthisquality

oneshherefore,ineseinkdraanfiguresand

thisplayingodatsforacertainqualityofesepainting,calledyi.the

hollohetreofthestrokes,aheenthe

lishu,andthearript.”oneseesalsointheholloherocksa

offeurecraftsnship.

ybeseeninyiiyujensatterineseingifthe

oneevenobiletongue,dippedininkandligthepaperashedra\vs

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he