landscapesofthesouthesertaininfluenalligraphy.first,ohe

ntouroftheterisurical,butispagisanunfivable

oneevenobiletongue,dippedininkandligthepaperashedra\vs

thisplayingodatsforacertainqualityofesepainting,calledyi.the

treesthehesealter.forthisisasecretleftusbyghao

treeohesaprincipleoftingusedineseings.tungchig

saidaboutpaintihateverylineshouldtallalong,andhihsaid

sicstrokes.iinglihepine

lishu,andthearript.”oneseesalsointheholloherocksa

restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

principle,forproperspagistheveryfirstlaatedbypao

saidthat”,theyshouldapplythelaherunningscript,the

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

thisdesireisuandableuholarsspiritwas

...

andnizesfurtherinthesileunityofdesignofesepaintingsth

offeurecraftsnship.

shenpo.ifthespaybesaed,as

hunspirittogetathedru

oflightheartedandinguisheslipospoetry.thisyi

sendary.therearetodaypaintersakesketcheshtheirbarefingers,and

hollohetreofthestrokes,aheenthe

oneshherefore,ineseinkdraanfiguresand

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

typeofsalledfeipo,any

aybeusedto

fugitivespiriti.doicarehertheyareexactoot,herthe

ngelsewas

notinteopyreality,butrelytopleaseself”

along,paintingillis,thesreation.

dehesati”rontid”thespiritoftherecluse.”itisthisquality

ybeseeninyiiyujensatterineseingifthe

ngfuhielf.further,theartistiportantcalligraphic

forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe

said:”anticbrush,

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