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第100节(2/2)

intheriodepainter,sickofpaintiy,ryto

nceiveapoetiception.inthesungdynasty,petitive

...

atthedesertedferry,aboatdriftsacrossbyitself.

goldenan.theiriressionissthereforeahuniressionisinpaintinga

picture,theirobjectistonveyaunifiedioo

thepoethadalreadyusedthethodofsuggestioninnveyisphereof

buttheiyliesisuggestiveinterpretationofthatpoetie.afeplesinations

theorythat”thenustpreaterial

suggest.buthebleofasaxophohatgically

thatthebestnes

andhiddeninthatgrove,onlyashopsignbearingtheter”no

exanationsinpaintinguheierialbureauofpainting,his

silenddesolationbyshohattheboat,leftalone,driftedacrossbytheforce

reality,therefore,buttheartistsionoftherealityisthepurportofthepainting.

therean,hoboogrovebyitsside,

thereosphereofluxury

hepaintiionthatisteristic

igination.anothersubjectgivenweiing:

nsioninthebackground,aidpeepingout

lltheiriy,theeseartistsarenotabletoprodufreaksto

startlethelayn.thebasisoftheiriressioniss,ashasbeenexplaihe

gunardli.theeseiressionistpainted,hoh

wasaline:

baoosverahebridge.

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sinaryiortahegreatestpainsstbetakento

theyreerthattheyarepaintingforfelloanbeingsandtheions

selves,sin.

peratesthroughachaagneglassthatrestsonaahathides

uhreequartersofatrazesoverthefunnelsofa

andpoutabasketfulofrisdeliies,likeducksfeet,ikhi,waln

about.

birdsheboatsuggeststhattheboatanbeingswere

picturehisfeelingofsilenddesolationbydrawinga

stbehunlyintelligibletoothers.theyarerestraihedoeofthe

includeandtoleaveout,resultingintheffunglingquality.

ionofthepoeticeptionoverruledeveryotherstandard.invariablyit

orstriedtorateonthehetreofthepicture.

ofthecurrent,butthepaintercarriedthethodofsuggestionfurther.thewinning

birdrestingo,andanotheroneabouttoperit.thepresehe

all.andthispicturehehe

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