silenddesolationbyshohattheboat,leftalone,driftedacrossbytheforce

thereosphereofluxury

exanationsinpaintinguheierialbureauofpainting,his

wasaline:

atthedesertedferry,aboatdriftsacrossbyitself.

ionofthepoeticeptionoverruledeveryotherstandard.invariablyit

gunardli.theeseiressionistpainted,hoh

stbehunlyintelligibletoothers.theyarerestraihedoeofthe

goldenan.theiriressionissthereforeahuniressionisinpaintinga

peratesthroughachaagneglassthatrestsonaahathides

...

suggest.buthebleofasaxophohatgically

andhiddeninthatgrove,onlyashopsignbearingtheter”no

lltheiriy,theeseartistsarenotabletoprodufreaksto

nsioninthebackground,aidpeepingout

about.

theyreerthattheyarepaintingforfelloanbeingsandtheions

includeandtoleaveout,resultingintheffunglingquality.

all.andthispicturehehe

theorythat”thenustpreaterial

uhreequartersofatrazesoverthefunnelsofa

baoosverahebridge.

andpoutabasketfulofrisdeliies,likeducksfeet,ikhi,waln

sinaryiortahegreatestpainsstbetakento

buttheiyliesisuggestiveinterpretationofthatpoetie.afeplesinations

reality,therefore,buttheartistsionoftherealityisthepurportofthepainting.

ofthecurrent,butthepaintercarriedthethodofsuggestionfurther.thewinning

nceiveapoetiception.inthesungdynasty,petitive

startlethelayn.thebasisoftheiriressioniss,ashasbeenexplaihe

therean,hoboogrovebyitsside,

picturehisfeelingofsilenddesolationbydrawinga

birdrestingo,andanotheroneabouttoperit.thepresehe

igination.anothersubjectgivenweiing:

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orstriedtorateonthehetreofthepicture.

thepoethadalreadyusedthethodofsuggestioninnveyisphereof

selves,sin.

intheriodepainter,sickofpaintiy,ryto

thatthebestnes

picture,theirobjectistonveyaunifiedioo

hepaintiionthatisteristic

birdsheboatsuggeststhattheboatanbeingswere