ihegeneralistnessoftheatsphere,or,like

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

lingistsherodenlethetrees,

gongpilesofksandbrushwood

eartisthedifferehesourceofinspiratioselfforthe

notthebeautiesoftheirbodiesbutthelihehehis

felefigurecalled”ion.”thereisstilltodayalargeproportionof

”art,”andtheonesadethen”cr

sayingthattheroosrentedfuished,andknotodoha

recreateforusapicture,”surchargedoodsandfeelings,evergingand

saatsphereandthesafeelingfoature,butirayalofhunfor,

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

englishandarisocietyuresintheirflatsby

anbody,espealebody,seetotobethest

ther”abovetheirntelpiedutelatea

arestilluoreheelvestothefaivilizationrequires

theisdesubservienttothe

singularteristifostsingularntrastbethineseand

vienneseporeoftheirfriendshavepreseheorchrists,

ursetherearealsonyeersy

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

...

ight,likeyiijen,giveusalandscapeof

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

niyiinligiveusapindesolation,htheuntryastretch

te,beforeoneleaeventhefirstessentialsofpainting.of

bathinggirlshouldbedetorepreseeer.”todaynyese

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

hespiritofthethingsasitisinstilledintohissoul,and

andthisgeneralrhythalldetailstenandonlythetralinood

nature.heshouldousthebeofthatnionofnature,and

eetagain

dofnature.thebestofelandscapes,likerots3giveusthe

forofnature.ifthereisanyapprealehunforssuch,wesee

eastandthefeleforortheindasbeingre

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theygenerallybanishtheaionbycallihings

notraalefest,

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand