本章已阅读完毕(请击下一章继续阅读!)

recreateforusapicture,”surchargedoodsandfeelings,evergingand

vienneseporeoftheirfriendshavepreseheorchrists,

”art,”andtheonesadethen”cr

nature.heshouldousthebeofthatnionofnature,and

ther”abovetheirntelpiedutelatea

forofnature.ifthereisanyapprealehunforssuch,wesee

andthisgeneralrhythalldetailstenandonlythetralinood

englishandarisocietyuresintheirflatsby

dofnature.thebestofelandscapes,likerots3giveusthe

notraalefest,

anbody,espealebody,seetotobethest

theygenerallybanishtheaionbycallihings

hespiritofthethingsasitisinstilledintohissoul,and

bathinggirlshouldbedetorepreseeer.”todaynyese

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

ight,likeyiijen,giveusalandscapeof

ursetherearealsonyeersy

theisdesubservienttothe

ihegeneralistnessoftheatsphere,or,like

sayingthattheroosrentedfuished,andknotodoha

saatsphereandthesafeelingfoature,butirayalofhunfor,

eetagain

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

niyiinligiveusapindesolation,htheuntryastretch

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

arestilluoreheelvestothefaivilizationrequires

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

eastandthefeleforortheindasbeingre

lingistsherodenlethetrees,

eartisthedifferehesourceofinspiratioselfforthe

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

...

felefigurecalled”ion.”thereisstilltodayalargeproportionof

te,beforeoneleaeventhefirstessentialsofpainting.of

notthebeautiesoftheirbodiesbutthelihehehis

singularteristifostsingularntrastbethineseand

gongpilesofksandbrushwood