grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

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actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

bathinggirlshouldbedetorepreseeer.”todaynyese

ight,likeyiijen,giveusalandscapeof

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

gongpilesofksandbrushwood

theygenerallybanishtheaionbycallihings

recreateforusapicture,”surchargedoodsandfeelings,evergingand

felefigurecalled”ion.”thereisstilltodayalargeproportionof

”art,”andtheonesadethen”cr

eastandthefeleforortheindasbeingre

nature.heshouldousthebeofthatnionofnature,and

ihegeneralistnessoftheatsphere,or,like

forofnature.ifthereisanyapprealehunforssuch,wesee

singularteristifostsingularntrastbethineseand

vienneseporeoftheirfriendshavepreseheorchrists,

andthisgeneralrhythalldetailstenandonlythetralinood

notraalefest,

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

anbody,espealebody,seetotobethest

englishandarisocietyuresintheirflatsby

ursetherearealsonyeersy

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

eetagain

...

sayingthattheroosrentedfuished,andknotodoha

dofnature.thebestofelandscapes,likerots3giveusthe

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

te,beforeoneleaeventhefirstessentialsofpainting.of

arestilluoreheelvestothefaivilizationrequires

eartisthedifferehesourceofinspiratioselfforthe

notthebeautiesoftheirbodiesbutthelihehehis

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

ther”abovetheirntelpiedutelatea

theisdesubservienttothe

niyiinligiveusapindesolation,htheuntryastretch

saatsphereandthesafeelingfoature,butirayalofhunfor,

hespiritofthethingsasitisinstilledintohissoul,and

lingistsherodenlethetrees,